Today’s post marks the start of my posts using the Tamron 150-600mm f5-6.3 SP Di VC USD.
We’ll start off with the obligatory shot that I’m sure everyone takes when they get a new telephoto lens. If you click on it, you’ll see the full scale of the image which has been cropped down a little. It’s worth bearing in mind that a tripod probably wouldn’t make this any sharper, since the moon moves relatively to us. However, the details that can be picked out are more than a match for what’s possible with the naked eye. So here’s a demonstration of the other headline feature of the “Bigron”: it’s stabilised.
The inclusion of Vibration Compensation is an important point in the saleability of a lens with a 600mm focal length and a modest maximum aperture of F/6.3. To use a lens that long places a high demand on the shutter speed requirements for sharp shots. VC enables the photographer to shoot with considerably slower speeds than the expected 1/600s or higher, bringing figures into usable territory for the majority of users. Having said that, I think that you’ll still want a monopod if, like me, you aren’t used to this sort of lens, and you will find yourself working above your normal ISO range on occasion.
At the other extreme, it didn’t take me long to find the minimum focus distance when trying to photograph insects with the 150-600. It’s about nine to ten feet (almost twice my body length). This takes some getting used to after years of using lenses dedicated to this sort of thing. More often than not, I had to take a step back to successfully focus, rather than the constant edging forward that I’m used to. You can’t really get a frame-filling shot of even large insects without switching to DX crop mode, but it’s perfectly good for “in-situ” compositions.
Whilst it won’t hold up to the optical performance of a macro lens, it’s a capable performer, and on a mid-range sensor it should yield satisfactory results. I have no doubt that the lens will work very well with a modest extension tube, and intend to test this soon.
For close range work, the maximum aperture isn’t a handicap, since the depth of field becomes so incredibly small above 300mm that it a smaller aperture actually acts as a focus aid. I think this will come into play at the farther reaches though, where background separation has an effect on the overall aesthetics.
The first of the common darter images shown above is posted at its original size of 7360 × 4912 pixels (full frame, D800) to show you what’s possible. It’s obviously easy to crop down from this scale. Although the sharpness is not the greatest when racked out, I think you have to look fairly closely before it becomes obvious, and the range makes the trade-off worthwhile, since the large working distance means that your subjects will act very naturally and without being disturbed by your presence.
When you do pair this lens with a cropped format, or switch to an equivalent mode, the working distance feels a bit more natural, since you’re less likely to step inside the close focus distance. Realistically, you buy yourself about three feet. I was quite pleased with these shots of male and female banded demoiselles. The females in particular are extremely flighty, and you simply struggle to get near them with a macro lens in the middle of a hot day. The Tamron 150-600 is therefore perfectly suited to subjects such as these.